I was such a wuss as a kid, and hated horror movies. But one of the most disturbing was not horror movie at all: *batteries not included. It’s a family film with Jessica Tandy, for chrissakes. The decrepit building, the palpably unstable slumlord, the erratically flying aliens with glowing eyes made a very unsettling ride for little Jenny.
As for books, there are two that stand out: The Dollhouse Murders by Betty Ren Wright and The Secret Bedroom by R.L. Stine. I still read them, that’s how much impact they had on me. The idea that dolls move about when you’re not looking and recreate scenes of an unsolved murder was unnerving enough. But Stine’s tale of a girl with a secret bedroom (an introvert’s dream!) inhabited by a spirit that can not only invade your mind, but contort reality until you’re just a shell to possess, was enough to keep me up nights.
What was your biggest fear as a child?
For some reason, fire. I was never in one, I was never burned, but I’d get anxious even going near a building in the aftermath, much less look at one on TV. I found the blackness and destruction terrifying, the gaping windows and shredded wood and plaster hanging beyond the frames monstrous.
In *batteries not included, there’s a scene in which some characters take a blissful walk home after a fun night out, only to find their apartment building ablaze. I think that’s what is so upsetting: fire is such a simple, vital element, yet it can destroy your home, kill your loved ones, erase every memento from your past.
Do you like scary movies? Which one is your favourite?
Now I do. I met (and eventually married) a horror movie geek (his descriptor) and I think he was secretly disappointed that I avoided the genre altogether. But little by little he introduced me to older movies like The Seventh Victim (1943), Brides of Dracula (1960) and Masque of the Red Death (1964), and now I seek them out. I begged him to take me to The Autopsy of Jane Doe (2017).
Ghosts are guaranteed to creep me out. Have you ever had a paranormal experience in real life?
No, and I’m sure if I did I would freak right out and move. But I’d like to think we’d be pals, Casper-style. As long as he’s not the chatty type.
Has a book ever really scared you?
In adulthood, no. I’ve gotten the shivers, I’ve been creeped out, but mostly, I applaud the writer for eliciting a visceral response. Ha! Perhaps writing has ruined me for raw terror!
Can you share with us an example of fear in one of your own novels?
Certainly. My protagonist in my novel, Edge of Sundown, is an author too, and much of his motivation comes from fear. The fear he’ll be forgotten, the fear that his creative well has run dry. Turns out it’s much worse: the world moved on and didn’t leave a forwarding address, and his reality is more fiction than his book.
In real life what is your biggest fear? Do you use that when you write?
I have the same fear as my poor protagonist: that one day I’ll be out of ideas and I’ll lose my ability to write.
But also bugs. Even helpful ones, like centipedes and common spiders and crickets. There’s regular ol’ roaches, but also hissing, flying frickin’ roaches. There is no God. Yet I’m writing a picture book about a girl who’s airlifted by a horde of butterflies, or as I call them, Satan’s biplanes. Go figure.
Thanks so much for sharing – am totally with you on the cockroach front – they are pure evil. Also I really want to read some RL Stine books now, I seem to have missed those when I was growing up!
If you want to know more about Jennifer, check out her links below!
“Of all base passions, fear is the most accursed” – William Shakespeare, King Henry VI Part One
So very happy to welcome Jennifer Wilson to my blog during the festive season! As you may know Jennifer loves writing about spooks as much as I do, only hers are a tad more regal than mine. Author of the Kindred Spirits series, Jennifer has raised the dead monarchy so many times she deserves a spot on Most Haunted. I think her stories are awesome so I’m very excited to have her here to talk about fear…..
Hi Anne-Marie, thanks for inviting me to your blog today. It’s fair to say I’m a naturally jumpy and easily-frightened individual, so I’m confident that of all your guests, my responses are at the coward’s end of the fear scale…
What movie/book scared you as a child?
I have really vivid memories of reading a book from the ‘upstairs’ library, for the upper juniors in primary school, which really freaked me out. I can see the cover, with two boys running, and I’m sure it was called ‘The Runaways’ or something similar. In one scene, a wall fell over, almost crushing either one or both of them. That image stuck with me for a long, long time, and gave me nightmares about being crushed. Horrific. I should have stayed in the ‘downstairs’ library, where I belonged, but I’d finished all the books it had to offer!
What was your biggest fear as a child?
Well, apart from walls… I’ve always had the most random fear of dust-bin lorries. That, and dinosaurs. Both stem from films. I watched the Turtles live-action film, where Shredder is, well, shredded, in a dust-bin lorry, and from that day, I’ve hated them. We used to have to walk up a really narrow wynd to get up to college, and on dust-bin day, I’d be petrified of accidentally slipping into the back of it. As for dinosaurs, that’s the fault of Jurassic Park. I had this terrible fear that if I opened my curtains at night, I’d see the eye of a t-rex, just staring back at me…
Do you like scary movies? Which one is your favourite?
As you can probably guess from the above, no, I do not like scary movies… I’m not really a film person anyway, but the most I can tolerate is a bit of a ‘jump scare’ which at least is over quickly!
I am usually scared the most by ghosts when I’m reading a book. Have you ever had a paranormal experience in real life?
Yes, and the most recent was in Greyfriars Kirkyard, in Edinburgh. As it’s the setting for part of my own book, Kindred Spirits: Royal Mile, and it was a lovely, quiet morning (I was early for an exhibition), I decided to pop in and get some nice photos of the blossom. There was one guy sitting having a coffee on a bench as I walked in, but that was it. Around the front of the church there was a lovely view down the graveyard of blossom, which I snapped, but as I went to put my phone away, I felt somebody touch my handbag. I panicked slightly, and put my own hand down to the zipper / strap, whilst turning to my left to confront them. Out the corner of my eye, I saw a tall gentleman in a dark suit and a white shirt, with dark hair. Later, I thought he had also been wearing a hat, but I cannot swear to that, and may have added it in my imagination afterwards. But the man himself was clear as day. Heart racing now, I turned fully around, only… Nothing. Nobody anywhere near me. Anyone who knows the site will know that if you’re in the middle of the paving in front of the church itself, there’s not enough time to get somewhere hide in the second it took me to turn around (Usain Bolt himself wouldn’t make it). The only other thing I felt was the strangest sensation of cold.
Greyfriars Kirkyard
I got out of there quicker than I’ve ever done anything in my life! Once out the gates, I did what every self-respecting thirty-something who has had a scare would do, and called my mum. She laughed initially when I told her, but then admitted she believed me, because she could hear the genuine fear in my voice. I was very glad to get away into the safety of the museum after that…
Has a book ever really scared you?
Other than the one I talked about above, not really, but that’s partly down to the fact that I can usually sense when something is about to get too much for me, and I skim / skip appropriately. It’s the same technique I use with overly-graphic crime novels!
Can you share with us an example of fear in one of your own novels?
Since the Kindred Spirits series follows the adventures of the ghostly communities inhabiting some of Britain’s most famous landmarks, fear definitely plays a part in my novels. For the most part, this is the ghosts instilling fear in the tourists who visit their homes, such as George Plantagenet, Duke of Clarence, rising from a barrel of malmsey in the Tower of London, or Katherine Howard haunting ‘her’ corridor at Hampton Court Palace. In one of the closes off Edinburgh’s Royal Mile, some students ready to play a trick on those taking part in one of the city’s famous ‘ghost tours’, the students themselves become the victims, terrified as Mary Queen of Scots enjoys herself in the occasional haunting. In these situations though, I think it’s fair to say that the living are almost-willing participants in the game. After all, you wouldn’t go on a ghost tour along a famously haunted street, at night, with somebody dressed as a ghoul, if you weren’t at least partially expecting to be scared witless, would you? So can the ghosts really be blamed, when they’re practically giving the tourists what they’re expecting?
In some instances though, I’ve wanted to explore things a little ‘bigger’ than just ghosts jumping out at unsuspecting visitors. I’ve talked about ghostly characters finding their ‘white light’ and moving on from their haunting, but this is by choice – if the white light appears, then a ghost can choose to move on, or stay. But I also wanted to give the ghosts something to genuinely fear, otherwise, they seemed a bit too invincible. I had this idea that if a ghost was injured too many times, they would gradually fade away to nothing. That would stop characters fighting each other – there had to be a consequence of their actions.
In Kindred Spirits: York, I pushed things a little further, and actually introduced a ‘bad guy’ into things, rather than just an unpopular character. Here, the ghosts didn’t quite know what was going on, which, for characters who can slip through walls and overhear almost any conversation without being observed, was something unknown, and for a lot of people, isn’t that one of the most frightening things?
In real life what is your biggest fear? Do you use that when you write?
If you take away dust-bin lorries and dinosaurs, then being very serious for a moment, I’m always scared of letting people down, or disappointing them. Perhaps this isn’t quite as relevant in the Kindred Spirits series, but in The Raided Heart, Meg has a strong sense of wanting to do the right thing, and not let her family down, and in the WIP I’m currently working on, loyalty and needing to work together are strong motivations for the key characters, as they try to do their best in difficult situations.
Thank you so much for joining my study of fear Jennifer. I too fell foul of Jurassic Park, had several T Rex nightmares after seeing that at the cinema! And your Greyfriars experience deserves a blog post of its own! How creepy was that? Feel free to stop by with ghost stories again please!
All of Jennifer’s books are currently in the big DarkStroke Halloween sale over on Amazon, you can get all titles for 99p/99c this weekend! Go go go!
About Jennifer C. Wilson
Jennifer C. Wilson stalks dead people (usually monarchs, mostly Mary Queen of Scots and Richard III). Inspired by childhood visits to as many castles and historical sites her parents could find, and losing herself in their stories (not to mention quite often the castles themselves!), at least now her daydreams make it onto the page.
After returning to the north-east of England for work, she joined a creative writing class, and has been filling notebooks ever since. Jennifer won North Tyneside Libraries’ Story Tyne short story competition in 2014, and in 2015, her debut novel, Kindred Spirits: Tower of London was published by Crooked Cat Books. The full series was re-released by Darkstroke in January 2020.
Jennifer is a founder and host of the award-winning North Tyneside Writers’ Circle, and has been running writing workshops in North Tyneside since 2015. She also publishes historical fiction novels with Ocelot Press. She lives in Whitley Bay, and is very proud of her two-inch view of the North Sea.
It gives me great pleasure to welcome the the lovely Nancy Jardine to my blog today. Her book Topaz Eyes caught my eye and I wanted to get the background inspiration for such an amazing adventure!
Welcome Nancy, thank you so much for taking the time to chat with me!
Hello, Anne-Marie. Thank you for the opportunity to visit your blog. I aim to ‘get out’ a lot more this year so your invitation is much appreciated!
Tell us the basic premise of your novel?
Topaz Eyes has been called a ‘fabulously dangerous quest for a precious collection of emerald jewellery’ that once belonged to a Mughal Emperor. It’s also been called ‘ a deep plot of intrigue across Europe’ and beyond. The novel centres on a fictitious European family of third generation cousins. In their hunt for hugely expensive missing jewellery that the family once owned, some cousins are nice but others are downright nasty, even murderous.
Why did you choose the locations you chose and do they hold any real life significance to you?
All are personally significant in some form. The story begins in the beautiful university town of Heidelberg, Germany, chosen because my daughter spent a year at the university and I visited her there. Keira Drummond, my main female character, also spent time at Heidelberg University – isn’t that an amazing coincidence (*wink, wink*)? Some of the action takes place in Amsterdam, Holland, because I lived in Holland for three years and adore the country. I won’t give away any spoilers but one of the complex relationships in the story mirrors a situation I found myself in when I lived in Holland. Vienna features just because it’s a fabulous place to be a tourist. I decided that one cousin had to be American so I used locations in Minnesota, USA, which I’ve also been to. Keira Drummond is an Edinburgh lass because I wanted a ‘Scottish’ element in the story.
What inspired this exciting adventurous novel?
Topaz Eyes is my second contemporary mystery that revolves around an ancestral theme. The first ‘Family Tree’ I invented for my mystery Monogamy Twist was a fairly simple one but when I started Topaz Eyes I wanted to create a much deeper mystery with a bigger cast of related characters who had a common purpose linking them together. I then had to think up an exceptionally absorbing reason for a bunch of third generation cousins to be on a murderous quest, family members who are essentially all strangers at the outset of the novel. The 1880s matriarch of the family is from an Amsterdam family who own a prestigious jewellery business. This meant I could have lots of contemporary action happen in different worldwide locations since her descendants end up scattered around after the Second World War. I mainly used my memories of the locations which meant only some up-to-date fact checking was necessary. I remember having a lot of laughs when I was creating the family tree and the incidents that happen in the story!
Did it take a lot of research to come up with the story behind the jewellery once owned by a Mughal Emperor?
My main research for this novel was about emerald collections, especially those originally owned by Mughal emperors. I’m fascinated that a piece of jewellery designed for a Mughal Emperor in 1580, 1680 or even 1780, could be completely different by 1880! I hadn’t really appreciated that designs created for a particular woman (wife or one of the many concubines) were rarely appropriate for another woman and that it was commonplace for the gems to be reset into new jewellery. That cemented a really deep mystery because if you don’t have many clues about what an item might currently look like, then how difficult is it to bring that collection together? Topaz Eyes ended up being a mystery within a mystery but you’ll have to read the story to uncover that connection!
If you could go on a global adventure with anyone (alive or dead) who would you choose?
I’m cheating here because although I write contemporary mysteries, I also write historical fiction. In Book 4 of my Celtic Fervour Series (unpublished), my main characters are mainly Celtic but there’s also General Gnaeus Julius Agricola. Agricola was the commander of the Ancient Roman army which marched all the way to north east Scotland in c. A.D. 84 and then they left without properly absorbing the area into the Ancient Roman Empire! The only reason we know this happened is because Agricola’s son-in-law – Cornelius Tacitus – wrote about Agricola’s military campaigns. I’d love to journey back to c. A.D. 95 and spend time in Rome because that’s probably when Tacitus was writing about Agricola’s exploits in northern Britannia (The Agricola was published in A.D. 96). That way I might get the true version of what happened! And…I’d love to describe to Tacitus what Rome is like today having visited there in 2016.
What are you working on next?
The big plan is to have Book 4 of my Celtic Fervour Series published in the spring (2018). After that I’ve got two projects already started that need a lot of work. The first is Book 2 of my Rubidium Time Travel Series- a Victorian adventure. The second is a family saga that begins in Scotland c. 1850 – Book 1 (of 3?) being another Victorian setting. Then in the fullness of time I’ll get back to Book 5 of my Celtic Fervour series…or maybe I should write that next? Who knows (**smiley face here**)
Nancy Jardine is a member of the Romantic Novelists Association, the Scottish Association of Writers, the Federation of Writers Scotland and the Historical Novel Society. She’s published by Crooked Cat Books and has delved into self publishing.
This week I am delighted to welcome author Val Penny to my blog. Her Edinburgh based crime novel Hunter’s Chase is due out through Crooked Cat Books on 2nd February 2018.
I am a lover of crime fiction, from Jo Nesbo to Patricia Cornwall and Agatha Christie to Arthur Conan Doyle, my love of sleuthing has been firmly set from a young age (I blame my parents!) I grew up in a busy household full of brothers and sisters who also loved to read crime fiction and I would always grab what they had finished with. The Detective is always the greatest character (followed closely by their nemesis) and I always love the development of their personality and how they solve the crime in question.
So naturally when I heard about Hunter’s Chase and found I had the opportunity to ask a few questions I jumped at the chance!
Tell us the basic premise of your novel?
Hunter by name, Hunter by nature: in Hunter’s Chase, Detective Inspector Hunter Wilson struggles to ensure the crime in Edinburgh does not go unpunished. Hunter’s Chase introduces a new detective, DI Hunter Wilson into Tartan Noire.
I think all crime novels explore the triumph of good over evil. The readers know the criminals will not succeed. Still, the thrill of the chase and the problems overcome to achieve justice for the victims must enthral and satisfy the readers.
Did you take any inspiration from any real life crimes?
I did not refer to any specific real life crimes but I did want to explore power and politics. Also, as I have a large family, the importance and problems caused by family ties is interesting to me.
Big cities all have issues with illegal drug use. One of the hidden problems is the risk to the health and security by people who are functioning drug abusers, who may continue to study or hold down challenging jobs. I find this both confusing and fascinating.
Is your lead character, DI Hunter Wilson inspired by anyone?
Hunter Wilson, like all my characters in Hunter’s Chase, is a combination of several people that I have found interesting. I needed my main protagonist to have certain characteristics including patience, perseverance and a desire to achieve justice for those who could not attain that for themselves. Hunter is a compassionate man who fights for the underdog and is a fine team player. These are important qualities in my main character.
But I also needed Hunter to have flaws. Everybody has faults and to make Hunter believable, he had to have them too. He is not a saint. He is divorced, he is untidy, he likes to win, he bears a grudge.
Why did you choose the setting of Edinburgh and do the locations hold any real life significance to you?
Although I am originally from California, USA, I lived in Edinburgh, Scotland for many years, so it is a city I know well. I chose Edinburgh as the setting for Hunter’s Chase because it is a beautiful, multi-cultural city which is well-known and loved around the world. Edinburgh is a big enough city for any problem that Hunter needs to solve to plausibly have taken place. Nevertheless, because it is a city of only half a million people, in many ways it is like a big village: there is a feeling that everybody knows everybody else. That is an amusing conceit when I am writing.
Did it take a lot of research for your locations and story line, how did you research the police work?
I did need to do a lot of research for Hunter’s Chase. I was surprised by how much I enjoyed that.
When I was choosing places for action to take place in my novel, I needed to check that what I was asking of my characters could actually happen. That was fun. Revisiting and exploring again the beautiful city of Edinburgh is always a joy.
Also, you will not be surprised to know that I do not have first-hand knowledge of drug trafficking! I found the research for that quite exciting: of course it was all theoretical research.
I had to research the roles of Crime Scene Investigators too and received a great deal of assistance with that from my friend Kate Bendelow. Her book, The Real CSI: A Forensic Handbook for Crime Writers, is indispensable. I was also lucky to have good support when I was researching police procedures. This came from former Detective Chief Inspector Stuart Gibbon. His book, The Crime Writers’ Casebook is invaluable to those writing historical or modern day crime stories.
What are you working on next?
I am presently working on the sequel to Hunter’s Chase – Hunter’s Revenge. My publishers, Crooked Cat Books, have just confirmed that it will be published in August/September 2018, so I better get a move on and finish it.
Hunters Chase will be released through Crooked Cat Books on 2nd February 2018, pre order your copy here
You can keep up with whats happening with Val on the following links;
I was drawn to this book by Alice Castle as I was aware that it was set in Dulwich, as was her last book ‘Death in Dulwich’. Being as I used to frequent the area when I lived in Peckham I was instantly snared, I love reading books set in London as I find it so much easier to get into stories when I know the setting well. London and a murder mystery – my ideal book – lucky for me Alice agreed to discuss her book ahead of its release on 19th December.
Tell us what your latest book is about
Hi Anne-Marie, thanks so much for hosting me! My latest book, The Girl in the Gallery, is a cozy crime murder mystery with a dash of romance. It’s set in the very beautiful Dulwich Picture Gallery, open to the public for 200 years this year. The book opens when my single mum amateur sleuth, Beth Haldane, stumbles on a terrifying new exhibit when she pops into the gallery before work. It’s the second in my London Murder Mysteries series, the first, Death in Dulwich, was published earlier this year, but you can read either as stand alone stories.
Did anything specific inspire the storyline?
My storyline is inspired by Dulwich Picture Gallery itself – it’s stuffed with amazing art, and the building itself is very unusual. At its heart is a mausoleum, containing the dead bodies of the original collectors in marble coffins, on display to the public. Weird and quite creepy! I have always thought it would be a brilliant location for a murder mystery.
Tell us more about Dulwich and any other London locations you use, do they hold meaning?
I love Dulwich. I lived there for four years, after returning from nearly a decade in Belgium. I found the area, and the people, really welcoming. I am repaying them by setting a series of grisly murders in their midst, which I really hope they won’t take the wrong way. It is a perfect, village-like setting, where people know everything about each other – or think they do. It’s a modern St Mary Mead, the place where Agatha Christie’s Miss Marple solved unspeakable crimes. I was really thrilled when a reviewer of my first book in the series, Death in Dulwich, said my heroine Beth Haldane was a modern Miss Marple. I’m planning to venture away from Dulwich with other books in the series but, like Beth, I will always have a soft spot for SE21.
Do you have a favourite author?
I have loads – Agatha Christie, of course, then Dorothy L Sayers, Margery Allingham, Ngaio Marsh, PD James, Ruth Rendell, Val McDermid, MC Beaton, Simon Brett… the list goes on. I love whodunits! I do read other books, I’m in a book group and I plod through whatever’s chosen, but I always come back to a nice murder mystery in the end.
What made you want to be a writer?
A teacher at my infants’ school. I can’t even remember her name, but she very kindly praised a sentence I’d written and I thought to myself, ‘this is something I can do.’ Good teachers are so wonderful and not nearly treasured enough.
If you could have a night of drinks and literary discussion with any writers (alive or dead) who would you choose?
Oh, I think Dorothy Parker would be a must, and then Shakespeare might be fun, Jane Austen of course… I think that lot might be daunting enough! I’m sure I wouldn’t open my mouth in that august company, but I’d be taking notes for my next novel, that’s for sure.
Will there be a 3rd instalment for Beth Haldane to solve?
There definitely will be a next installment, I am writing it now. It’s called Calamity in Camberwell and this time, Beth is on the trail of a missing friend, with plenty of obstacles thrown in her way. And she’s giving online dating a try! I’m hoping it will be out by mid-2018. After that, there’ll be plenty more mysteries to solve, if I have my way.
Get yourself over to Amazon now and pre-order The Girl in the Gallery here!
While you are there, grab the first Beth Haldene mystery Death in Dulwich
Continuing my look at authors and the inspiration behind their books – this week I was lucky enough to talk to Nicola Slade about her new book. There’s a touch of the paranormal at work here and along with a historical mystery, I had to get involved and ask more about the background.
Tell us the basic premise of your novel?
Freya Gibson, PA to Patrick Underwood, a best-selling novelist, inherits an old, run-down house from an unknown elderly relative. She falls in love with the house but waiting for her is an enigmatic letter from Violet, the elderly cousin, telling her that she must ‘restore the balance’ of the house, beginning by reciting a Latin verse. Freya does so, while wondering whether it’s a prayer or a spell.
She learns that Ladywell was known as a place of healing and the house begins to work its magic on her as she discovers family secrets that shake her foundations.
Woven into Freya’s contemporary story are echoes of the family through the ages and although the reader learns why things happened as they did in the past, Freya is unaware of the house’s history.
What or who inspired you to become a writer?
My mother and grandmother were great readers and meals were always quiet as we all ate and read at the same time! I realised when I was very young that books came out of people’s heads and knew that was what I wanted to do.
Are your locations based on a real place? and do the locations hold any real life significance to you?
In this book my fictitious town of Ramalley is based on Romsey, in Hampshire, a bustling market town between Winchester and Southampton and about five miles from where I live, so it’s a place I visit frequently. When I was small I used to visit an aunt who lived not far from the town and I’ve always loved it so I was delighted when we moved to Hampshire back in the 80s.
Did it take a lot of research for your locations and the historical aspect of the story line?
I’m passionate about history so I mostly enlarged on historical events that fascinate me and I had a lot of fun reading up on them. The Lady’s Well – part of the history of the house – was inspired by the font at Mottisfont Abbey, a National Trust property not far away and I had a couple of interesting day trips to check out the Chalice Well at Glastonbury and the Wishing Well at Upwey in Dorset. I blogged about it here .
There’s a supernatural feel to the story, do you believe in ghosts?
I’d like to! But I’m not sure though I do think some places have a distinct atmosphere. It’s not a spoiler to say that some people can smell flowers in The House at Ladywell even where there’s not a petal in the place!
The House at Ladywell has legends about hares all through the book – partly because, like so many people, I find hares magical.
What is your favourite genre to read and to write?
I love historical mysteries and have written a cosy mystery series, The Charlotte Richmond Mysteries, set in the 1850s. I don’t like to read anything too gritty or gory and I do like a happy ending!
What are you working on next?
I’ve written the first draft of a cosy mystery set in 1918, actually in the same fictitious town of Ramalley as The House at Ladywell and I’m about to start on the serious revisions.
‘Three sisters struggle to keep the home fires burning but are hampered by wartime shortages, lack of money, demanding lodgers and a difficult mother. As though this isn’t enough, there’s a rumour that their late, unlamented father may not be dead after all and their lives are further inconvenienced by murder!’
paranormal at work here and along with a historical mystery, I had to get involved and ask more about the background.
The House at Ladywell has legends about hares all through the book – partly because, like so many people, I find hares magical.
All That Mighty Heart 